Best mashup artists
In 1987, King accused the Pet Shop Boys of plagiarizing the melody of Cat Stevens' " Wild World" for their song " It's A Sin". Singer-producer Jonathan King anticipated the mashup genre with several novelty singles.
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A similar series by Mirage in the late 1980s took this further by densely layering the songs on its "Jack Mix" records so that these were very close to later mashups. These records attempted to cram as many hits as possible into the space of a three and a half-minute pop song, and are more accurately described as medleys. In the late 1970s and early 1980s, Dutch producer Jaap Eggermont produced the Stars on 45 series of records. One series was John Morales' (later one half of M and M productions) "Deadly Medleys", in which he mixed-up disco hits of the moment to form beat-consistent collages. "Tom's Diner" is likely to be the first song that was "mash mixed" as we now know the process. Vega received quite a few unsolicited mixes of her (a cappella) song, and eventually issued an entire CD of "Tom's Diner" mixes, one notable example being "Jeannie's Diner", in which a resung verse based on Vega's composition describes the premise of the situation comedy "I Dream of Jeannie".
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Other notable one-off bootlegs include DNA's dance remix of Suzanne Vega's " Tom's Diner" (1990) and "You Got The Love" by The Source featuring Candi Staton (1991). The song " Your Woman" by White Town features an uncredited sample from a 1932 song "My Woman" by the Lew Stone Band taken from the soundtrack of the Dennis Potter series Pennies From Heaven. There have been a number of novelty records and one-off hits that have included uncleared samples. Goodman had several other similar hits in the 1960s and 1970s. The track, a reinterpretation of Orson Welles' celebrated War of the Worlds mock-emergency broadcast interspliced with musical snippets comically dramatizing the portentous patter of the announcer, spawned a raft of imitations. material from one song would "break-in" to another) called "The Flying Saucer". In 1956, Bill Buchanan and Dickie Goodman released what they called a "break-in" song, (i.e. In addition, many elements of mashup culture have antecedents in hip hop and the DIY ethic of punk as well as overlap with the free culture movement. If one extends the definition beyond the realm of pop, precursors can be found in musique concrète, as well as the classical practice of (re-)arranging traditional folk material and the jazz tradition of reinterpreting standards. The practice of assembling new songs from purloined elements of other tracks stretches back to the beginnings of recorded music. In addition, more traditional terms such as "edits" or (unauthorized) "remixes" are favored by many " bootleggers" (also known as 'leggers).
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